RANDALL KING’S “I COULD BE THAT RAIN” ARRIVES AS THE MOST-ADDED SINGLE AT COUNTRY RADIO

NASHVILLE, Tenn. – For eight years, Hereford, Texas native Randall King has been traveling the country, bringing true honky tonk sound to over 140 venues each year. Now, King is lending his neotraditional baritone to the airwaves, as “I Could Be That Rain” arrives at country radio today as the most-added single, with 35 stations spinning the song on impact. Listen HERE.

“Man, I’m pumped! I’ve been eager, and patient, for this opportunity my whole career and I am ready to ride those air waves,”

randall king

With nearly 400 million career streams across his growing catalog, King’s first single at Country radio was written by Brian Fuller and Mason Thornley and is the first from his 2024 sophomore record Into The Neon. King’s vocal delivery captures the pain of unanswered calls and lonely thoughts.

        Wish I could be that rain that’s fallin’
        On your skin baby I’d start pourin’
        Sing you a song on an old tin roof
        And make you miss me like I miss you
        Wish I could move some clouds into your sunshine 
        Get some memories floodin’ back into your mind 
        You ain’t picking up and I’ve been callin’
        Wish I could be that rain that’s fallin’

“Man, I’m pumped! I’ve been eager, and patient, for this opportunity my whole career and I am ready to ride those air waves,” King shares. “It’s something I’ve dreamed of since I was a kid, listening to Strait and Alan on the airwaves, mimicking they’re singing in the side mirror from the passenger seat. This is ‘all I’ve ever wanted, so I’m chasing that neon rainbow’ now!”

“Smooth vocal styling”

billboard

“His Texas Bonafide’s are unimpeachable”

Texas monthly

“the genre’s neo-traditional figurehead.”

Holler

Into The Neon, which arrived in January via Warner Music Nashville, was praised by Billboard for King’s “smooth vocal styling,” while Texas Monthly declared “his Texas bona fides are unimpeachable” and Holler lauded King as “the genre’s neo-traditional figurehead.”

King is gearing up for his 10-show Into The Neon – International Tour, kicking off August 18 with a sold-out show in Oslo, Norway, and additional sold-out stops in Copenhagen, Denmark; Amsterdam, Netherlands and more. 

In September, King will bring his annual KingFest back to the Nashville Palace, with special guests Walker Montgomery and Brian Fuller on Sept. 13, and Braxton Keith and Mackenzie Porter on Sept. 14. 

For more information and to follow along with updates, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King: 
A West Texas native and self-described “old soul,” Warner Music Nashville’s Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing nearly 400 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon, available now, takes that craft to the next level, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.